Fragment 2026 SCULPTURE In my practice, I increasingly approach the fragment as a way of addressing form. I am interested in the moment when a sculpture is materially present, yet its final image remains unresolved. The form exists — tangible, weighty, and physical — but it does not assert a single identity. It may suggest a human figure, the silhouette of a monk, the trunk of a tree, or the movement of branches in the wind. An image begins to appear, but it is never fully defined. What interests me is precisely this state of oscillation — when form has not yet become an image, yet already evokes one. The fragment marks a pause within this process. It is not the remnant of a lost whole, but a condition of deliberate incompleteness. The form is created, but not concluded. The narrative remains open. In this sense, the fragment preserves the possibility of continuation — not as illustration, but as a space in which meaning may unfold.
